Hermes Scarves

When browsing the shelves of Emile Hermès' library, Virginie Jamin came across a treatise on equestrianism, published in Germany in the 18th century. She took inspiration from one of the plates in this work that depicts the patterns traced on the ground by natural and artificial horse gaits to produce an ornamental design, a free expression of the repertoire of equestrian braiding. With its elegant and simple asymmetrical composition, this scarf celebrates the craftsmanship of adornment.

When browsing the shelves of Emile Hermès' library, Virginie Jamin came across a treatise on equestrianism, published in Germany in the 18th century. She took inspiration from one of the plates in this work that depicts the patterns traced on the ground by natural and artificial horse gaits to produce an ornamental design, a free expression of the repertoire of equestrian braiding. With its elegant and simple asymmetrical composition, this scarf celebrates the craftsmanship of adornment.

When browsing the shelves of Emile Hermès' library, Virginie Jamin came across a treatise on equestrianism, published in Germany in the 18th century. She took inspiration from one of the plates in this work that depicts the patterns traced on the ground by natural and artificial horse gaits to produce an ornamental design, a free expression of the repertoire of equestrian braiding. With its elegant and simple asymmetrical composition, this scarf celebrates the craftsmanship of adornment.

You've not lived until you've experienced the luxury of Daiske Nomura's carriages. Even the horses watch them go by, a little envious that their friends get to pull such treasures... since these coaches are undeniably a cut about the rest. Graceful and glorious, they show off their best side, forging ahead in straight lines with the agility of a tightrope walker and the strength of a dragon. They come together wonderfully on this scarf, like a well-oiled machine. It's an undeniable fact that these Daiskemobiles turn heads.

You've not lived until you've experienced the luxury of Daiske Nomura's carriages. Even the horses watch them go by, a little envious that their friends get to pull such treasures... since these coaches are undeniably a cut about the rest. Graceful and glorious, they show off their best side, forging ahead in straight lines with the agility of a tightrope walker and the strength of a dragon. They come together wonderfully on this scarf, like a well-oiled machine. It's an undeniable fact that these Daiskemobiles turn heads.

You've not lived until you've experienced the luxury of Daiske Nomura's carriages. Even the horses watch them go by, a little envious that their friends get to pull such treasures... since these coaches are undeniably a cut about the rest. Graceful and glorious, they show off their best side, forging ahead in straight lines with the agility of a tightrope walker and the strength of a dragon. They come together wonderfully on this scarf, like a well-oiled machine. It's an undeniable fact that these Daiskemobiles turn heads.

You've not lived until you've experienced the luxury of Daiske Nomura's carriages. Even the horses watch them go by, a little envious that their friends get to pull such treasures... since these coaches are undeniably a cut about the rest. Graceful and glorious, they show off their best side, forging ahead in straight lines with the agility of a tightrope walker and the strength of a dragon. They come together wonderfully on this scarf, like a well-oiled machine. It's an undeniable fact that these Daiskemobiles turn heads.

Leafing through the pages of a catalogue of 19th-century military uniforms found in the Emile Hermès collection, Virginie Jamin was struck by the power of the designs. This scarf takes its name from the uniforms of zouaves – North African light infantry units in the French Army – and dragons, or dragoons in English – cavalry soldiers who fought on foot or horseback.

Leafing through the pages of a catalogue of 19th-century military uniforms found in the Emile Hermès collection, Virginie Jamin was struck by the power of the designs. This scarf takes its name from the uniforms of zouaves – North African light infantry units in the French Army – and dragons, or dragoons in English – cavalry soldiers who fought on foot or horseback.

As if showing us the hidden side of the Moon, this design is part shadow, part light. A crescent moon scattered with stars borders a vast disk featuring the powerful body of Pegasus, the winged horse, a divine creature with a tousled mane. Dimitri Rybaltchenko has designed a symbolic image based on the surface of the moon composed of minuscule geometric motifs which could almost be a secret code.